REVIEW OF LEGAL CERTAINTY OF ROYALTY COLLECTION ON MUSIC AND/OR SONGS: A COMPARATIVE STUDY OF INDONESIA AND RUSSIA

Authors

  • Muhammad Naufalurridho Febrian Airlangga University
  • Ria Setyawati Universitas Airlangga
  • Ardhana Noventri Universitas Airlangga
  • Yusril Mahendra Ryazan Medical State I.P Pavlon University

DOI:

https://doi.org/10.71250/rlr.v3i1.57

Keywords:

Intellectual Property Rights, Royalty, Song/Music, Legal Certainty, LMKN, Indonesia, Russia

Abstract

Copyright protection is one of the constitutional rights related to intellectual property, including copyrights on music and/or songs. Under the Copyright Law, royalties are recognized as compensation for the use of the economic rights of a creation. This study focuses on performing rights royalties, which require any person using songs and/or music for commercial purposes in public services to pay royalties to the creators through the National Collective Management Organization (LMKN). However, in practice, the collection of royalties remains problematic, particularly regarding the definition of "commercial user." The ambiguity in the Copyright Law and the Government Regulation on Royalties leads to uncertainty in determining whether the singer or the event organizer is responsible for royalty payments, resulting in a shift of responsibility between parties. On the other hand, a court ruling granted the lawsuit of a songwriter against a singer for performing rights in a concert, despite the legal framework suggesting that royalty payments should be made by the commercial user through LMKN. This study uses a normative legal research method with statutory, conceptual, and case approaches to examine the concept of royalty collection in Indonesia and the legal protection for songwriters, while highlighting the need for legal certainty and regulatory clarity.

Keywords: [Music and/or Songs, Intellectual Property Rights, Royalties, Copyright, and Legal Certainty]

References

Abdullah, A., Sugianta, K. A. P., & Anwar, K. (2021). Kedudukan hak cipta sebagai hak kebendaan dan eksekusi jaminan fidusia atas hak cipta. Jurnal Jentera, 4(1), 444.

Adnan, A. F. (2025, Januari 10). Industri musik sumbang kontribusi PDB Rp6 triliun. Antara. https://jogja.antaranews.com/berita/620076/industri-musik-sumbang-kontribusi-pdb-rp6-triliun

Ardian, D. (2024, Januari 11). 4 kasus royalti di dunia musik yang lagi heboh. Detik Pop. https://www.detik.com/pop/music/d-7537869/4-kasus-royti-di-dunia-musik-yang-lagi-heboh

Cahyaningsih, D. T. (2020). Mengurai teori effectiveness of law Anthony Allot. RechtsVinding, 6(2), 5.

Daminsky, E., & Priyanto, I. M. D. (2023). Perlindungan hukum royalti karya cipta musik (Studi kasus industri musik di Indonesia). Jurnal Kertha Desa, 11(9), 3351.

Djaenab. (2018). Efektivitas dan berfungsinya hukum dalam masyarakat. Universitas Islam Negeri Alauddin Makassar, 4(2), 149.

Gea, D. Y., & Nugroho, A. Y. (2022). Studi komparatif industri musik di Indonesia, Korea Selatan dan Jepang sebagai inovasi ekonomi kreatif. Global Insight Journal, 7(2), 100.

Hapsari, S. D. (2024). Kemanfaatan, keadilan dan kepastian hukum restorative justice pada ketentuan perpajakan. Jurnal Pajak, 6(1), 55.

Ibrahim, J. (2006). Teori dan metodologi penelitian hukum normatif. Malang: Bayumedia Publishing.

Kansil, C. S. T., Palandeng, E. R., & Mamahit, G. N. (2009). Kamus istilah hukum. Jakarta: Jala Permata.

Kelsen, H. (1995). Teori hukum murni: Dasar-dasar ilmu hukum normatif-deskriptif (hlm. 110–125). Jakarta: Rindi Press.

Kemenparekraf/Baparekraf RI. (2024). Tren ekonomi kreatif 2024, kolaborasi antar subsektor. Kementerian Pariwisata dan Ekonomi Kreatif/Badan Pariwisata dan Ekonomi Kreatif Republik Indonesia. https://kemenparekraf.go.id/ragam-ekonomi-kreatif/tren-ekonomi-kreatif-2024-kolaborasi-antar-subsektor

Kusno, H. (2016). Perlindungan hukum hak cipta terhadap pencipta lagu yang diunduh melalui internet. Fiat Justisia Journal of Law, 10(3), 490.

Downloads

Published

30-04-2025